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However, in Dublin, Conor, a teenager with a sensitive heart, is trying to deal with a tense family relationship, reconnect with his older brother while dealing with the hostile environment in his new public school. Tall, with long chestnut hair, a buttery complexion and big, dark eyes; an enigmatically beautiful girl standing in front of his school's gate, indolently observing people passing by. Surprisingly, with every lyric Conor writes, the gap narrows and with every song he plays, her heart fills with affection.
But who is she and how could a boy ever get noticed by such a distant girl? In the end, before a sea of opportunities lying ahead of them, what will the future hold for a brave love like this?
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This is just a poor Dublin life in the 80's: get on with it.The young cast throw themselves into the job with great energy, with Walsh-Peelo and Boynton delivering touching and impressive performances and Mark Mc Kenna particularly worthy of note channeling a young John Lennon.My top acting accolade though goes to Jack Raynor (who was until recently rumoured to be in the running for the role of the young Han Solo: a role that's now just gone to "Hail Caesar's" Alden Ehrenreich).See more » One of the disclaimers in the closing credits: "This is a period film.Synge Street School, like much of Ireland, was a very different place in the 1980's [sic] than it is now.
Few films in fact have come this close to depicting this glorious ineptitude since John Gordon Sinclair and Dee Hepburn struggled to get together in Bill Forsyth's "Gregory's Girl" (making me feel ancient, this was actually set in 1981! It should be noted that at one point the film also models the casual racism prevalent at the time, with perhaps only the addition of a rebuking "You can't say things like that" striking a less realistic note.